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Let us help you slide into this not-quite-new not-quite-normal-not-quite-post-pandemic with some answers to your questions. You asked about news consumption, movie theaters, horror trends, Disney character team-ups, nostalgia, algorithms, the hunt for Joe Rogan, meditation—and we answered. It’s all very on-brand for our Self-Help for Nihilists series.

Julia Ducornau’s Titane (2021) features a lot of dancing and gender theory. So who better to have as a guest than Monique Jenkinson, AKA Fauxnique? We talk about her new book Faux Queen: A Life in Drag, body horror, female violence, Sharon Stone’s directing ambitions, film criticism, tarot cards, body horror, and French flatulists. Opinions were divided on this film, so it’s an exciting episode.

Denis Villeneuve’s Dune (2021) isn’t horror. But this episode was requested by quite a few people, and we aim to please. We discuss this version, the first book in Frank Herbert’s series, David Lynch’s superior take, and Jodorowsky's Dune. There’s a little distortion in the audio up front, which is obviously Harkonnen treachery.

Halloween Kills (2021) is Blumhouse’s second film in what will undoubtedly, and unfortunately, be an ongoing series. Like many entries in this classic franchise, it is awful. We discuss where it goes wrong, the few things that work well, mob violence, the relevance of the series as a whole, Rob Zombie’s versions, slasher character actor fandom, and if you stick to the end, a story about Fabio.

James Wan’s Malignant (2021) is a lot of things. Giallo homage. Action film. 90s horror. But even when it feels familiar, it delivers some genuinely original moments and ideas. We cover the film itself, its references, seeing films in theaters post-COVD, indie fetishism, simple pleasures, and whether or not Wan is the Dave Grohl of horror.

Grady Hendrix’s Final Girl Support Group (2021) is a love letter to the golden age of slasher movies. This episode is essentially a love letter to the author—even if we do have our crusty quibbles about a few bits. We talk about the difference between metafiction and nostalgia, Harold Bloom’s Anxiety of Influence, murderabilia, Final Girls as a concept, and a little background on how you might end up in UC Berkeley’s Rhetoric department.

We recommend pairing this listen with Peaches Christ and Michael Varrati’s third episode of their podcast, Midnight Mass. It covers Friday the 13th and features interviews with the final girl star of that film, Adrienne King; as well as a great interview with Grady Hendrix.

In this episode we take a look at Halloween (2018), the third film of the same title, in the same franchise. Yes folks, this is the age of the reboot. We discuss the pleasures and pitfalls of Blumhouses’s formula, old-timey firearms vs. modern firearms, why book clubs are lame, and we heap praise upon Jamie Lee Curtis. While this episode isn’t a direct prequel to our next episode, it does begin a longer cross-episode discussion of final girls.

Bo Burnham’s Inside (2021) is one of the most unique things you’ll see on Netflix. It’s an angsty and existential one-man musical comedy about isolation. Though COVID-19 is never mentioned in the piece, it looms large, giving it the kind of “horror” vibes one can pick up from a pandemic thriller like Contagion. Like the film, we find ourselves in a few ranty digressions that will make total sense if you listen to us frequently, but may confuse the uninitiated.

This episode we cover the 1997 sci-fi horror film Event Horizon—with deep digressions into the nature of reality, L. Ron Hubbard, QAnon, martial arts nerds, psychedelics, UFOs, and cosmic horror. 

We’re joined by Nick Gullo, AKA Nick the Tooth. His career bio is about as complex as Buckaroo Bonzai’s. To keep it short, he’s the co-host of the excellent Infinite Worlds podcast, wrote a book about the UFC, writes sci-fi, and is a black belt in Brazilian Jiu Jitsu.

Dungeon Synth is as obscure as it gets for music genres, but it might be everywhere soon. We explore the fetid foundations and eldritch evolutions of this bizarre scene with extreme music authority, Andee Connors. He co-owned the notorious Aquarius Records, curates Pandora’s unholy Black Metal station, was a member of A Minor Forest and now creates infernal music with Common Eider, King Eider, and with Marc, My Heart, An Inverted Flame. The conversation goes deep into the haunted hinterlands of culture, including digressions about hoarding/collecting, Dungeons & Dragons, synthwave, Black Metal, and performative reading of forbidden texts.

This episode follows a long and unplanned break caused by a plethora of personal calamities (spoiler: Chad got The ‘Rona). Rather than focusing on a single film or book, we use the episode to discuss the future direction of the show and gab about broader trends in visual art. We cover The Snyder Cut, The Overlook Theatre’s Unknown Film Fest, our returns to Brazilian Jiu Jitsu, the compelling world of Twitch, and what makes Andee Connors such a treasure.